<p style="text-align: justify;">June 16, 2011. Those who have followed Alicia Alonso’s Ballet Nacional de Cuba, know to expect a specific kind of classicism in its performances. It’s a style unearthed as if from a decades-old time capsule, revealing well-articulated, generous and exuberant dancing.Cuban conductor Giovani Duarte slowed down and sped up the Pacific Symphony musicians, manipulating the musical phrasing and assisting the dancers with their concluding flourishes. The corps de ballet, men and women alike, supported the story-telling as best they could, given the abbreviated nature of each offering. The Cubans appealing pride, expressed through an open, lifted and proud chest and head, made up for some shortcomings.
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