The Teatro Nacional de Guiñol and the Centro de Investigación de las Artes Escénicas  the Cuban Center for UNIMA and the Havana Theater Center announce the First Puppet Theater Bacanal for Adults to be celebrated in the Spring 2012. "> The Teatro Nacional de Guiñol and the Centro de Investigación de las Artes Escénicas  the Cuban Center for UNIMA and the Havana Theater Center announce the First Puppet Theater Bacanal for Adults to be celebrated in the Spring 2012. ">

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  • 06 / 21 / 2010

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The Teatro Nacional de Guiñol (Nacional Guiñol Theater) (TNG in Spanish) and the Centro de Investigación de las Artes Escénicas (Center for Research in Staging Arts) (CNIAE in Spanish), the Cuban Center for UNIMA and the Havana Theater Center announce the First Puppet Theater Bacanal for Adults to be celebrated in the Spring 2012, being held in the National Guiñol Theater Room and the Adolfo Llauradó Room.

The celebration is being argumented in the much needed and delayed for many years presence of puppet performances directed towards the adult public and it takes it name from the parties organized in honor of God Baco, a much needed reference for the study of the origins of theater art, and that decision should not be far away from the restless wish to worry, a very expensive purpose in figure theater.

The history of Cuban theater learned from the foundation of the National Guiñol Theater, puppet shows that provoked an applauded stage extension and admired by the adult show. It would not be restless to name titles such as El retablillo de Don Cristóbal, El maleficio de la mariposa, La loca de Chaillot, Ubí Rey, Don Juan Tenorio, Asamblea de Mujeres, La Celestina, La corte de Faraón, La loma de Mambiala, Chicherekú among the most popular ones.

The participation of the puppet bands from the country in this field would give a continuity to an indispensable stage extension.

It would also be used as a stimulus for playwrights, designers and producers of personalities, musicians, puppet actors and artistic directors joint together in an integration action that is creatively committed with the Cuban history of all of the theater.

Translation: Karen López (Cubarte)

Source: Cubaescena

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