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Willy Chirino Criticizes Artists Collaborating with the Cuban Regime: "You Can't Have It Both Ways as a Cuban"

Saturday, May 16, 2026 by Sofia Valdez

In a recent episode of Africa Benítez's podcast "De la Calle," Willy Chirino delivered a strong message aimed at Cuban artists who perform both on the island and abroad, claiming neutrality by stating they "are not politicians." This segment, shared last Thursday on Instagram, highlights Chirino's critical stance against those who attempt to straddle the political divide.

Chirino, a celebrated voice of the Cuban exile community, was unequivocal in his criticism of artists who choose to ignore Cuba's political realities while performing for both the regime and exile communities. "If you happen to be Cuban, you can't have it both ways," the singer declared.

He went further, expressing that he would rather hear an artist openly declare their support for communism than claim to be apolitical: "I'd prefer you to say, 'Look, I'm a communist, I like Fidel Castro,' rather than, 'Oh, I'm not political.'"

According to Chirino, being Cuban brings with it an unavoidable responsibility to the struggling people on the island: "Through your music, your messages, your words, whatever you do artistically, you need to tell the world about your people's reality."

Chirino described the harsh conditions in Cuba: "There are 11 million Cubans suffering without electricity, without freedom, lacking everything, it's a dying population."

To those who claim to be apolitical as a defense, the singer was blunt: "How can you say you're not political? What about your people? You need to side with them, not those who govern and oppress them daily."

He concluded with a direct challenge to the Cuban artistic community: "You must combat this with your message, your songs, your lyrics, your work, your art."

In another part of the interview, Chirino, who has long been a voice for Cuban exiles in his music, stated that collaborating with the regime is a deal-breaker for him, making it impossible to maintain friendships with such individuals, despite acknowledging their artistic talents.

Chirino's views on the political role of Cuban artists have been consistent over the years. Back in October 2019, he urged artists to defend their people rather than remain silent in the face of government actions. In October 2020, he applauded Gente de Zona for distancing themselves from the regime, hoping it would inspire other Cuban artists. By February 2021, he firmly supported "Patria y Vida" as "exactly what the Cuban people need from their artists."

The debate about artists performing in both contexts remains a contentious issue within the Cuban-American community. In 2023, Chocolate MC faced severe backlash from the exile community for supporting the Santa María Music Fest in Cuba, with accusations of being "in cahoots with the Cuban regime." In 2020, rapper Henry Laso criticized regime-affiliated artists living in the United States, stating they "don't deserve residency."

Chirino's comments come just weeks after he received an honorary doctorate in music from Florida International University on April 27, where he concluded his speech to nearly 6,000 graduates with "¡Viva Cuba libre!" earning a standing ovation.

Cuban Artists and Political Stances: Key Insights

Why does Willy Chirino criticize artists who perform in Cuba?

Willy Chirino criticizes these artists because he believes they are attempting to remain neutral in a politically charged environment, which undermines the struggle of the Cuban people. He insists that artists have a responsibility to speak out against the regime and support the Cuban people.

What does Chirino suggest artists should do instead of being neutral?

Chirino suggests that artists should use their platform to raise awareness about the conditions in Cuba and align themselves with the Cuban people, rather than staying silent or supporting the regime.

How has Chirino's stance influenced the Cuban-American community?

Chirino's stance has fueled ongoing discussions about the role of artists in political matters, particularly within the Cuban-American community, where many share his critical view of artists who collaborate with the Cuban regime.

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